On Saturday November 2nd and Sunday November 3rd, Tamandua visits NYC with Chuck as his model, to share his personal approach to Kinbaku, using some of his commonly used ties and techniques. The class concept will focus a lot on the ability to manage the intensity of a tie with subtle adjustments and calm assertiveness. During the workshop Tamandua will show some ties that when executed correctly, allow the top to easily control how intense they are for the bottom. The idea is to develop more confidence to play, especially in the territory of Semenawa – tormenting rope. Guidance on how to tie and get tied more fluently, in a more natural feeling way, using body/rope management and communicative cues, will be a big part of the learning material for both tops/riggers and bottoms/models. Tamandua and his partner will explain how these factors play into the ‘soft skills’ of rope bondage, and into the power exchange principles of erotically tormenting rope.
Technically, each tie is introduced through getting familiar with the basic building blocks which it is made up of. By learning the technical details of the harnesses used, and exploring how they feel and function under load of suspension, and simpler applications. As the final exercise each day, this collected knowledge gets put to the test when we enjoy a longer and (for top and bottom) more challenging tie.
Please note this class takes place on both November 2nd and 3rd from 12-7pm
Requirements:
Both tops/riggers AND bottoms/models need to have prior experience with suspension, and with TK/gote.
Riggers need to have learned how to make and lock suspension lines safely, and know these techniques by heart.
Riggers also need to be able to tie a solid TK, even though Tamandua’s variation will be taught in class, as this is a very high risk profile type of tie to learn for suspension. Therefore the workshop should not be one of your first experiences with TK suspension.
All these skills need to have been learned through an experienced instructor IRL (not video).
Everyone attending should be familiar with how to recognise signs of nerve damage, nerve impingement, and how to actively check for it during a tying session.
Please review your skills before purchasing tickets.
Tickets sold as pairs. $400 per tying pair for the weekend.
$160 deposit, $240 cash at the start of class.
CANCELLATION POLICY: you can reschedule once or ask for a refund up to 48 hours before the event. If you would like a refund, please email us at temple.nyc.bushwick@gmail.com , and we will take care of it with you. A processing fee of 5% will be subtracted from all refunds. No refunds will be issued with less than 48 hours notice of cancellation.
RSVP
If the event is sold out, you can sign up for a WAITLIST HERE
Tam’s Bio:
Tamandua is a Swedish rigger based in Berlin, Germany. He has been working with rope professionally, primarily through teaching and offering intimate sessions to clients, since 2016.
Although a rope top most of the time, he has broad experience as a rope bottom as well, and highly values ability to relate to both perspectives. He is a queer person, who appreciates tying with people of various gender.
‘I consider kinbaku to be a complex erotic art, which is empathetically sadomasochistic at it’s core. Often tying in a way that can be challenging both for the one tying and the one in the ropes, my Shibari usually demands a lot of technical clarity when in the role of a teacher. At the same time, the student’s individuality is a priority when it comes to learning methods and intention. I view Kinbaku as a practice of continuous exploration – where new doors open as you go deeper and further with a partner, over the course of a session, or over the course of a long partnership. Sometimes though, the magic that defines Kinbaku can be just that one alluring image that sticks with you, a moment suspended in time. For me, the essence of Kinbaku lies in the meeting between the aesthetic expression and the emotional and sensual intention of the practice. And the more ones tying develop, the more seamlessly the parts can intermingle.’
Tamanduakinbaku.com